◑ Procés analògic Avançat

Darkroom prints with your own developer — Beers Developer

Mix the formula, control the contrast, make the print.

We mix Beers Developer from scratch, take it straight to the enlarger and compare prints at different contrast grades. From raw chemistry to finished print, with nothing in between.

Contrast is not just a filter question

When making darkroom prints, contrast is usually controlled with multigrade filters. It works. But there is another way — older, more precise and far more satisfying: controlling contrast through the developer.

Beers Developer is a two-part formula, designed by Dr. Roland F. Beers, that produces seven different contrast grades by varying the ratio of parts A and B. Grade #1 gives the lowest contrast; grade #7, the highest. The same chemistry, completely different results.

In this workshop we mix the formula from scratch and use it immediately at the enlarger. No theory — direct practice with comparable results.

How the session is structured

First part — Mixing the developer

We prepare solutions A and B following the original formula. We work with distilled water at controlled temperature, adding components in the correct sequence: metol, sodium sulphite, sodium carbonate, potassium bromide for part A; sodium sulphite, sodium carbonate, hydroquinone and potassium bromide for part B.

Once both parts are ready, we calculate the dilutions to obtain at least three contrast grades for the enlarger session.

Second part — Printing at the enlarger

We work with each participant’s own negatives. We make a standard test strip to establish the base exposure, then make comparative prints with Beers at three different contrast grades — typically #2, #4 and #6.

Comparing the three prints side by side on the light box is the best way to understand how chemistry affects the result: shadows, highlights, paper texture.

Key contents

  • The Beers formula: components, function of each and mixing sequence
  • Volume calculations for working solution (divide by 16, multiply by parts)
  • The seven contrast grades: A+B+Water dilution table
  • Test strips with Beers: how to read them differently from commercial developers
  • Comparative prints at three contrast grades
  • Reading the results: shadows, midtones and highlights with each dilution

What’s included

  • All chemical components to mix parts A and B
  • RC multigrade photographic paper (6–8 sheets per participant)
  • Use of the enlarger and darkroom
  • A small amount of prepared Beers Developer to take home

What to bring

  • Your own developed 35mm or medium format negatives (essential)

Not included

  • Additional paper (+€2/sheet RC, +€4/sheet fibre)
  • Chemical components to mix Beers at home (available from Químics Dalmau, Barcelona)

Never made darkroom prints before? Start with the Darkroom Printing workshop. Never developed film? B&W Development or Experimental Developers are your starting point.

Fitxa del taller

Objectiu
Mix Beers Developer in two parts, understand how the A/B ratio controls contrast, and use it at the enlarger to make prints with your own criteria.
Metodologia
First part: preparing solutions A and B and calculating dilutions. Second part: enlarger session comparing prints at different contrast grades using your own developer.
Resultat
3–5 silver gelatin prints made with Beers Developer at different dilutions, practical understanding of contrast control through chemistry, and a small amount of developer to take home.
Prerequisits
Essential to know how to develop B&W film independently — recommended to have taken the B&W Development or Experimental Developers workshop. Essential to have made darkroom prints before — recommended to have taken the Darkroom Printing workshop or equivalent.
A qui va dirigit
Analogue photographers who already master the basic process and want to go further: controlling print contrast through chemistry, not filters.

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